Peter Kraus (mit Connie Francis), (German) ROCK вЂNвЂ™ ROLL SCHMUSE PARTY, Folge 2 Records # 12-472786-10 (Sony Music Germany, male German vocal, female English vocal) The Raes, A&M Records single # AM 446 (Canadian male vocal) The High Keyes, Atco Records single # 45-6268 (male vocal) Normie Rowe, Sunshine Records single # QK-1103 (Australian male vocal) Henry Mancini, PRESENTS THE ACADEMY AWARD SONGS 31 вЂњOSCARвЂќ WINNERS, RCA Victor Records # LPM-6013 (instrumental) 2, RCA Victor Records #LPM-3558 (instrumental) Natalie Cole, NATALIE LIVE!, Capitol Records # SKBL-11709 (female vocal)Д¬het Atkins, THE BEST OF CHET ATKINS Vol. Mary Hopkin, THOSE WERE THE DAYS, produced by Paul McCartney, Apple Records single # 1823 (female vocal) Holly Cole Trio, DONвЂ™T SMOKE IN BED, Manhattan Records # CDP 0777 7 81198 2 1 Sly and The Family Stone, ANTHOLOGY, Epic Records # EGK 37071 (male vocal) But to Jay and RayвЂ™s surprise, their names were called out and they won their third Oscar for QUE SERA SERA.Дoris Day, with Frank DeVol & His Orchestra, Columbia Records single # 4-40704, #RHCO 33718 (female vocal) Paul Weston, who was present at the recording session, said that she knocked it off in one take and said, вЂњThatвЂ™s the last time youвЂ™ll ever hear that songвЂќ.Дaily Variety and most of the smart money said that Cole Porter, because he had never received an Oscar, was a lock for his вЂњTrue LoveвЂќ in 1956вЂ™s Academy Awards. But this was the important song in the picture, so Paramount insisted that she record it. However, she refused to record QUE SERA SERA because she thought it was a childrenвЂ™s song. Meanwhile, there was a Livingston & Evans song in вЂњThe Man Who Knew Too MuchвЂќ that Doris Day really liked and which she recorded (вЂњWeвЂ™ll Love AgainвЂќ). And he walked out and they didnвЂ™t see him again for years. When Jay played the completed song for Hitchcock, the director said, вЂњGentlemen, I told you I didnвЂ™t know what kind of song I want. The phrase is also вЂњQue sera seraвЂќ in French, which may account for the songвЂ™s wide acceptance. Later, they changed the Italian вЂњcheвЂќ to the Spanish вЂњqueвЂќ because of so many Spanish-speaking people in the world. He told her that it was their family motto and meant вЂњWhat will be, will beвЂќ. It just so happened that Jay had seen a picture called вЂњThe Barefoot ContessaвЂќ, and at the end of the picture Rozzano Brazzi took Ava Gardner to his ancestral home in Italy, and carved in the stone was the legend CHE SERA SERA. Also, in the picture, I have it set up so that Doris sings to their little boyвЂќ. But Jimmy Stewart is a roving ambassador and it would be nice if the song had some foreign words in the title. He added, вЂќI donвЂ™t know what kind of song I want. He told Jay and Ray that he didnвЂ™t want a song, but, he said, Doris is a singer, and the studio wants a song for her. Hitchcock didnвЂ™t want Doris Day, although he was very happy with her later. Livingston & Evans insist this is the only time an agent ever got them a job. StewartвЂ™s agents, the omnipotent MCA, told Hitchcock he could have Stewart only if he took another client, Doris Day, and another of their clients, Livingston & Evans, to write a song for her. In 1955, Alfred Hitchcock was making a picture called, вЂњThe Man Who Knew Too MuchвЂќ and wanted Jimmy Stewart for the lead.

Que sera sera mp3